![]() ![]() Production began that year, with animators travelling to Australia to make location and character sketches from the sweeping vistas and their animal population. But the studio had never made a sequel before and along with the first home video releases of films like Pinocchio, this was one way in which the new bosses could make the back catalogue pay.Īside from nostalgia, 1986 had seen Crocodile Dundee become one of the biggest films in the world, which may have suggested the setting of the belated sequel in the Australian Outback. Based on Margery Sharp’s books about a rodent Rescue Aid Society that helps the children of the world, the original Rescuers had been released 12 years earlier and fans of the original would certainly have grown out of the target audience by the time the film was released. On the surface, this seems somewhat at odds with the aim to make the studio’s output a big box office draw once again. #MOUSTERPIECE CINEMA TRIAL#Surprisingly, “a sequel to The Rescuers set in Australia” was another of the successful pitches and the film was greenlit in 1986.Įnjoy a FREE TRIAL of Disney+, courtesy of Den of Geek! The gong show was a technique that Eisner and Katzenberg had used at Paramount and although the hit rate wasn’t high, the Disney equivalent was the breeding ground for the earliest forms of Oliver & Company, The Little Mermaid, and Treasure Planet. They moved the animation department off the Disney lot, held unsociably early department meetings on the weekend and fostered a competitive atmosphere by holding a regular gong show for feature ideas, in which anyone from animators to custodians could come in and pitch movies. ![]()
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